Afro-pop singer Csana was born on the time her grandmother transformed to Christianity — and she or he was named Nonguquko as a result of her grandmother believed there was a change coming to the household.
Csana Mlaza has subsequently positioned herself as an agent of agent by her craft. The 37-year-old from Emampondweni, north of Port St Johans in Japanese Cape, is understood for performing and embracing songs in Xhosa, Zulu and Mpondo, and selling and highlighting their cultures in her work and the songs she’s labored on with music maestro Heavy Okay.
She is taken into account among the many few native vocalists who can distinctively carry out songs infused with isiMpondo, a singing type fairly harking back to the late Zahara.
As a pal to the late songbird, the afro-Pop singer and guitarist not solely needs to unfold messages of optimism, affection, and solidarity along with her music, however she has vowed to maintain Zahara’s legacy alive— no matter it takes.
Sowetan: As an artist, you determined to take a musical path that focuses on African tradition. Why was this essential to you?
Csana: As folks, we have a tendency to not embrace a lot of our tradition and the place we come from. Our language is a type of issues that turns into pivotal and essential. In the identical breath, it’s essential for Africans to be taught from one another. What we don’t realise is that if we don’t embrace our tradition and what it signifies, the era coming after us can have no sense of id or recognition of who they’re. Therefore, my music goals to show and empower younger artists to have the ability to know who they’re and translate that into their music.
Sowetan: Do you suppose this course has labored in taking our music to the world?
Csana: It has been evident up to now 5 years that African music has been on the forefront in the case of world listenership, and I want extra musicians might tackle genres that spotlight the essence of being African.
